Thirukkurungudi Dhivya Desam – Religious Significance
The
temple is revered in Nalayira Divya Prabhandham, the 7th–9th century Vaishnava canon, by Peyazhwar, Nammazhwar, Thirumangai Azhwar and Thirumalisai Alvar. The temple is classified
as a Divyadesam, one of the 108 Vishnu temples that are mentioned in
the book. During the 18th and 19th centuries, the temple finds mention in
several works like 108 Tirupathi Anthathi by Divya Kavi Pillai
Perumal Aiyangar. It is believed that Thirumangai Azhwar spent his last days in
this place and attained Moksha.
The
place is thus referred as Dakshina Vaikundam, the ultimate destination of Vaishnavites. A tradition of worshipping Vishnu through dance, music
and art is called Kaisika Nataka is believed to have originated at
Thirukkurungudi. A festival called Kaisika Ekadasi held at the temple every
year. The local belief is that the devotees practising Kaisika Vratha or
witnessing the performance would attain Moksha.
Arayar
Sevai, another form of worshipping Vishnu is also believed to have originated
in this place. As per legend, the practice was established by Nathamuni, who was practising with his fellow mates and Vishnu
was hiding in the South Mada Street and enjoying the performance. Vishnu is
also called as Gana Priyan, the one who enjoys music. It is believed
that Ramanuja, the proponent of Vaishavadvaita philosophy taught Vishnu about Astakshara and
hence the presiding deity came to be known as Vaishnava Nambi.