Wednesday, October 2, 2019

Srivilliputhur Andal Temple – Religious Practices & Festivals

Srivilliputhur Andal Temple – Religious Practices & Festivals
Religious Practices:
The temple priests perform the Pooja (rituals) during festivals and on a daily basis. Like other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavite community, a Brahmin sub-caste. Each ritual has three steps: alangaram (decoration), naivethanam (food offering) and deepa aradanai (waving of lamps) for both Vatapatrasayi and Andal. During the last step of worship, Nadaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple.
Festivals:
Annual festivals are celebrated in the months of Aadi and Margazhi and Purattasi.
Aadi Pooram:
Thousands of people from the state participate in the Aadi Pooram festival celebrated in the Andal Temple. After early morning special pujas, the presiding deities, Ranga Mannar and Goddess Andal are taken in decorated palanquins to the car. The festival marks the adoption of presiding deity, Andal, by Periyazhwar after he found her near a Tulsi plant in the garden of Vatapatrasayi Temple at Srivilliputhur on the eighth day of the Tamil month of Adi.
During the Chitra festival in Madurai, Kallazhagar (of Azhagar Koil) makes an important stop at Thalakulam Perumal Koil to collect the garland sent by Aandal of Srivilliputhur. Only after wearing the garland, does Azhagar get into the Vaigai River. During the Aadi Thiruvadi Pooram festival, marking the birthday of Aandal, Lord Azhagar of Thiru Maalirun Cholai sends his attire to Srivilliputhur as a return gesture to her.
5 Garuda Sevas:
On the birth day of Aandal in the Tamil Calendar month of Aadi, one witnesses 5 Garuda Sevas - Venkatachalapathi, Thiruthangal Appan, Vadabadrasayee, Ranga Mannar and Kaatu Azhagar Sundararajan.
Araiyar Sevai:
A big attraction at the Srivilliputhur temple is the Araiyar Sevai, the visual song and dance enactment of the Paasurams (4000 Divya Prabandham verses) that has been performed at Divya Desams for over 1000 years. Srivilliputhur remains one of the three Divya Desams in Tamil Nadu where Araiyar Sevai is still being performed, the other two being Srirangam and Azhwar Thiru Nagari (near Tirunelveli). The famed Araiyar Sevai is said to have originated from Thirukkurungudi, the Divya Desam about 40 Kms from Tirunelveli.
Legend has it that the Lord used to listen to Araiyar’s Abhinayam hiding behind a wall in Bashyam Street (South Mada Street). Araiyars (King of Music) are descendants of Nathamuni, who is believed to have introduced the Araiyar Sevai. It is believed that Lord Ranganatha himself gave the Araiyars the right to perform the unique musical chanting at the temples and presented them with the cone-like red cap, two cymbals and the sacred garland (which they wear around their neck when they perform).
The Araiyars first recite the Paasuram, then explain its inner meaning and finally perform the Abhinayam, a unique art/dance performance with their hands and legs explaining the Paasurams with special musical effect. This special explanation (Vyakyaanam) requires a deep knowledge and understanding of the Paasurams and its inner meaning. It is not an easy art, as can be seen from the fact that it takes one nearly 20 years to learn and perfect the Abhinayam.
One of the Araiyar Sevai occasions that is of particular significance is during Vaikunda Ekadasi - The Paghal Pathu (10 days) and the Era Pathu (10 Nights) – when one is treated to a real spectacle with the Araiyars enacting the Story of Andal growing into a young beautiful girl through their Abhinayam.
Panguni Uthiram:
Sri Andal's Kalyana Utsavam is celebrated during Panguni Uthiram, one of the specialised Utsavam of this temple.

Srivilliputhur Andal Temple – Pooja Timings

Srivilliputhur Andal Temple – Pooja Timings
Pooja Time
Pooja Name
6.30 A.M
Viswa Roopam
8.30 A.M
Kala Santhi
12 NOON
Uchi Kalam
1.00 P.M
Nadai Closing
4.00 P.M
Nadai Opening
6.00 P.M
Sayarakshai
8.00 P.M
Athalam
9.00 P.M
Aravanai
Pooja Time
Pooja Name
7.00 A.M
Viswa Roopam
8.00 A.M
Kala Santhi
Azhwar Shrine:
Pooja Time
Pooja Name
8.00 A.M
Kala Santhi
9.30 A.M
Thirumanjanam
12.30 P.M
Nadai Closing
4.30 P.M
Nadai Opening
5.30 P.M
Sayarakshai
8.00 P.M
Athalam
8.30 P.M
Aravanai
Srinivasa Perumal Temple:
Pooja Time
Pooja Name
7.00 A.M
Nadai Opening
12.00 Noon
Uchi Kalam
6.30 P.M
Sayarakshai
7.00 P.M
Nadai Closing

Srivilliputhur Andal Temple – History

Srivilliputhur Andal Temple – History
The history of Srivilliputhur centres around the Srivilliputhur Andal Temple, dedicated to Andal. It is argued that the temple of Vatapatrasayi is present from the 8th century, but there are epigraphic records are available only from the 10th century. The view that the Andal Temple was built during the 14th century is highly debated. The temple has inscriptions from Chola, Pandya and Nayak rulers, spanning across various centuries from the 10th to 16th centuries. As per some accounts, the original structure was constructed by Tribuvana Chakravarthy Konerinmai Kondan Kulasekaran and the Andal temple by Barathi Rayar.
During the reign of Thirumalai Nayak (1623 A.D – 1659 A.D.) and Rani Mangammal (1689 A.D – 1706 A.D), this city became very popular. Thirumalai Nayak renovated all the temples of this city. He installed Choultries, temple tanks, paintings and golden towers inside the temple. The sculptures in the hall leading to the shrine of Andal were also built by him. From 1751 A.D. to 1756 A.D., Srivilliputhur came under the rule of Nerkattam Seval  Paalayakkarar Puli Thevar. Later the Fort of Srivilliputhur was ruled by Periyasami Thevar. Then it fell into the hands of Mohammed Yusuf Khan.
Until 1850, Sri Andal temple was under the care of the king of Travancore. The Temple came under the control of British till India attained freedom in 1947. The temple's gateway tower, 192 ft (59 m) tall and it is the official symbol of the Government of Tamil Nadu (Vatapatrasayi Temple Tower). But the artist who designed the emblem for the state of Tamil Nadu Thiru. Krishna Rao denied that it is not the temple of Srivilliputhur rather it is Meenakshi Temple's West Gopuram. 
The two temples contain over 60 inscriptions in Vattezhuthu, in the Gopuram, Dwajastambam, and walls of the central shrines and Mandapams. In the inscriptions, Srivilliputhur is  referred to as Malli Vala Naadu and Andal is referred to as Soodi Kodutha Nachiyar. During the modern times, the temple is maintained and administered by the Hindu Religious and Endowment Board of the Government of Tamil Nadu. Samprokshanam of the Andal temple was performed on 20 January 2016 by Tamil Nadu Government.

Srivilliputhur Andal Temple – Legends

Srivilliputhur Andal Temple – Legends
Birthplace of Periyalwar & Andal:
Periyalwar was born as Vishnu Chittar, the fifth son of Mukunda Bhattar and Padmavalli who lived in Srivilliputhur and were engaged in the service of Lord Vadabadrasayee. He had a formal education in the Gurukulam where he mastered the Vedas and became a great scholar. Vishnu Chittar was a great devotee of Krishna. In the Krishnavatara, Lord Krishna grew up in Brindavan and later came to Mathura with his brother Balarama to slay his evil uncle Kamsa and free his parents who languished in prison. In Mathura, he went to the man who made garlands for Kamsa and asked for a garland of flowers.
The Garland maker bowed before Sri Krishna and put a beautiful garland on him saying, “Many yogis and saints wait to have your darshan. Yet you chose to come to the humble dwelling of this ordinary man. I am blessed.” Vishnu Chittar was impressed by the above story  of Krishna and decided that making garlands for the Lord would be his duty. He sold the ancestral properties and bought some land near the Vada Perunkoil. He created a beautiful Nandavanam (garden) in it. Fragrant flowers of all kinds blossomed in it.
In the darkness before dawn, before the bees could find the flowers, he gathered the flowers, made them into a beautiful garland and offered it to Lord Vadabadrasayee. King Vallabhadeva of Pandya Dynasty was ruling over Pandyan Kingdom with Madurai as its headquarters. He invited all the learned men of various faiths for a philosophical debate. On instructions from Lord Vadabadrasayee, Periyalwar travelled with devotees to Madurai, where he was given a warm welcome by king Vallabhadeva. He won the debate and proved that the only  path to moksha was by service to the Lord Vishnu.
King Vallabhadeva gave him enormous wealth as the prize and honoured him by taking him in a procession around the city of Madurai seated on the royal elephant. It is said that Lord Vishnu with the Thayars came to watch his devotee being honoured. Periyalwar, on seeing the Lord, sang the Pallandu, the first 12 verses of Nalayira Divya Prabandham. It begins like this, “Long live for many years, long live for many years, for hundreds of thousands of years!” to God. This is an important prayer in Sri Vaishnava tradition. The Nalayira Divyapprabhandhams are called Tamil Vedam as they bring to us the essence of the Vedas and can be easily understood by the common man.
On his return to Srivilliputhur, Periyalwar renovated the temple of Lord Vadabadrasayee, and built the famous Rajagopuram. Andal is said to be the incarnation of Goddess Earth or Bhoodevi. Andal was found as a five years old  child  beneath the Tulsi plants (Holy Basil) by Periyalwar in his Nandavanam (Temple garden). The child was named Godhai (a beautiful garland) in Tamil. The name Godhai is often Sanskritised as Godha (Go means Bhoomi; Dhaa- given; Given by Bhoomidevi). She is considered to be an incarnation of Bhooma Devi.
Periyalwar  saw Godhai as Lord Vadabadrasayee gift to him since he had no children of his own. He took her home and brought her up with love. Periyalwar tutored her in the Vedas and instilled in her devotion for the Lord Vishnu. Godhai grew up in an atmosphere of love and devotion. Vishnuchitta doted on her in every respect, singing songs to her about Lord Vishnu; teaching her all the stories and philosophy he knew; and sharing with her his love for Tamil poetry. As he made garlands for the Lord every day, the little girl sat near him and listened to him describe incidents from the life of Lord Krishna in Brindavan. She was a child prodigy and scholar in her own right.
As Godhai grew into a beautiful maiden, her love and devotion for the Lord grew to the extent that she decided to marry none but the Lord himself only. As days progressed, her resolve strengthened, and she started to live in a dream world with her beloved Lord and was constantly fantasizing about marrying him. Andal was told that the Gopis of Brindavan observed a vow called Paavai Nonbu in order to attain the Lord. So, she gathered her friends together and assuming she and her friends were the Gopis and Srivilliputhur was Brindavan, the Vadaperumkoil was the palace of Nandagopar and Lord Vadabadrasayee was Lord Krishna, she too observed the Paavai Nonbu and sang the 30 hymns of the Thiruppavai. Andal was only five years old.
One day, when he saw his father make a garland for Lord  Vadabadrasayee. In his absence she wore the Garland and looked at herself in the mirror and wondered if she looked beautiful wearing the garland and if she was a fitting bride for the Lord. She then replaced the garland in the Kudalai (cane basket used for keeping flowers). Periyalwar, unaware of this offered the garland to Lord Vadabadrasayee. This went on for some time. One day, she was caught red-handed by her father in this strange act, and as an orthodox devotee he was extremely upset. He rebuked her and told her not to repeat the sacrilegious act in the future.
Frightened and apologetic, Godhai made a new garland for the offering that day. Legend says that that very night the Lord appeared to Vishnuchitta in his dream and asked him why he had discarded Godhai’s garland instead of offering it to him. The Lord is believed to have told Vishnuchitta that he had whole-heartedly accepted Godhai’s offering all this time. This moved Vishnuchitta so much even as he started to realize the Divine Love that existed between the Lord and his daughter. From this day on, Godhai is believed to have been respected by the devotees and came to be known as Andal, the girl who ruled over the Lord.
She is also known by a phrase Soodi Kodutha Sudarkodi which means “the bright creeper-like woman who gave her garlands after wearing them”. To this day, this unique tradition is followed in this temple, not seen in any other Divya Desam. Lord Vatapatrasaayee adorns every morning the garland worn the previous evening by Andal (the Goddess). The practise is followed during modern times when the garland of Andal is sent to Azhagar Kovil on Chitra Pournami day where the presiding deity Lord Kallazhagar entering into River Vaigai with the garland worn by Goddess Andal and Tirumala Venkateswara Temple during (Garudostavam during the Tamil month of Puratasi (September - October). 
As Andal blossomed into a fifteen-year-old beautiful young woman of marriageable age (girls were married at a much younger age in those days), her father prepared to get her married to a suitable groom. Andal, however, was stubborn and insisted that she would marry only the Lord Vishnu. She then asked him to describe the Divyadesam Perumals to her. She decided that she would marry Lord Ranganathar of Sri Rangam.
This perplexed and worried her father. However, the Lord appeared in Vishnuchitta dream and informed him that he would marry Andal at Srirangam. Lord Vishnu also directed him to bring Andal to Srirangam decked in bridal attire. Lord Vishnu simultaneously commanded the priests at Srirangam, in their dreams, to prepare for the wedding. Andal was taken to Srirangam in her fourteenth year in a palanquin sent by the temple officials in Srirangam.
Periyalwar and the people of Srivilliputhur accompanied her. Andal who was anxious to reach Srirangam was unable to control herself in her urgency to meet her beloved Lord. She ran into the sanctum sanctorum of the Lord Ranganatha and is believed to have merged with him completely at that point. Since Andal married Ranganatha, who came as a king (called Raja), the presiding deity is called Ranga Mannar.
In many places in India, particularly in Tamil Nadu, Andal is treated more than a saint and as a form of god herself and a shrine for Andal is dedicated in most Vishnu temples. Andal is credited with the Tamil works of Thiruppavai and Nachiyar Thirumozhi that are still recited by devotees during the winter festival season of Margazhi, the month considered special for the observance of Paavai Nonbu. Andal is known for her unwavering devotion to god Vishnu, the God of the Srivaishnavas.
Vadaveshwarapuram:
As per mythological legend, the place was referred as Varaha Kshetra. It was a dense forest named Champaka where the sages Bhrigu and Markandeya were doing penance and had their hermitages in the place. A demon named Kalanerai was troubling the sages and they prayed to Vishnu to relieve them from the demon. Vishnu was pleased by their devotion and appeared in the place to slay the demon. He is believed to have taken the abode in the forest reclining on Adisesha, his serpent bed, on the leaf of a banyan tree. The place thus came to be known as Vadaveshwarapuram.
Sri Villi Puthur:
In ancient times, the place was called as Puthur, because of the presence of many ant-hills (Putru – in Tamil) here. The land was under the rule of Queen Malli. The queen had two sons called Villi and Kandan. While the two were hunting in a forest, a tiger killed Kandan. Unaware of this fact, Villi searched for his brother, got tired and fell asleep. Lord Vishnu appeared in a dream to King Villi narrated the incident to him about his brother death and also about his idol in the forest. 
As instructed by the Lord, he found the idol of Lord Vatapatrasaayee under a banyan tree in the forest. He cleared the forest, built the magnificent Vada Perum Koil and built a city around the temple. It was named after him as Villi Puthur and the region was called as Malli Vala Naadu after his mother Queen Malli. Andal was born here later. Hence the place came to be called as Sri Villi Puthur.
Garuda present alongside the Main Deities:
One finds Lord Garuda, the charioteer of Lord Vishnu, alongside the main deities. In all other temples, one finds Garuda standing opposite the main deity. It is believed that Garuda, brought Lord Ranganatha of Srirangam to Srivilliputhur faster than expected and hence he was accorded the special status here.
Villiputhur:
Legend has it that this town was built by two hunters Villi and Puttan and hence the name Villiputhur.
Shenbagaranyam:
The region around Srivilliputhur was once a forest called Shenbagaranyam (forest of Shenbaga trees).
Reference in Puranas:
Srivilliputhur (Shenbagaranya Kshetram) finds mention in the Brahma Kaivatsa Puranam and the Varaha Puranam. The Varaha Puranam foretells the existence of Srivilliputhur and the consequent visit of Lord Vishnu during the Varaha Avataram. The Brahma Kaivatsa Puranam mentions the location of Vatapatrasaayee Temple in Srivilliputhur.
Lord Vishnu Darshan:
Vatapatrasaayee is believed to have appeared to Andal, Periyalwar, Markandeya and Bhrigu.
Other Names:
Srivilliputhur is known by other names such as Varaha Kshetram, Thenpuduvai, Vadeswarapuram, Vadamahadamapuram, Shenbagaranya Kshetram, Vikrama Chola Chaturvedi Mangalam and Sridhanvipuri.

Srivilliputhur Andal Temple – The Temple

Srivilliputhur Andal Temple – The Temple
The temple has two divisions; the one of Andal located on the Southwest and the second one of Vatapatrasayi (Vishnu) on the Northeast direction. A granite wall surrounds the temple, enclosing all its shrines, the garden where Andal was found and two of its three bodies of water. The fish emblem of the Pandya dynasty can be seen in the ceiling and Mandapams. The Sukravara Kuradu bears the statues of Thirumalai Naicker, his brother Chokkappa Naicker and their wives.







The tall towers, massive car, huge tank, sculpted pillars, ancient Ramayana frescoes and modern wall paintings depicting the Lords of 108 Divyadesams, numerous inscriptions dating back to the rule of Pandya kings, fine rectangular hall with a wooden roof and above all its unique Thiruppavai Vimanam speak volumes of their rich architectural heritage.







Rajagopuram
The Rajagopuram, the temple's gateway tower, 192 ft (59 m) tall. The tower is originally believed to have been built by Periyalwar with the prize money he obtained from religious debates in the court of Vallaba Pandya in Madurai. It has eleven stages. The Raja Gopuram is one of the tallest in Tamilnadu. The temple tower is 2nd only to Srirangam Temple Rajagopuram (236 ft) among the Divya Desams. It is also the Emblem of Tamil Nadu Government. The great poet Kamban has praises it in lofty terms and the poem finds a place in the Tower.
Vadabadrasayee Shrine:
The Temple is also called as Vada Perum Koil and Periya Perumal Koil. This is the Divyadesam Temple. The temple of Lord Vadabadrasayee is a two storied Maadakoil, with a large prakaram full of beautiful paintings and sculptures. A shrine for Lord Lakshmi Narasimha is on the ground floor. The idol is large and brightly painted. There are Shrines for 12 Alwars and Dasavatharam of Vishnu can be found in the ground floor.
The sanctum in the second level approached through a flight of steps houses the image of Vatapatrasayi facing east in a reclining posture and his consorts, Lakshmi (Sridevi) and Bhoodevi, are shown attending to him at his feet. Sage Bhrigu stands near his head and sage Markandeya is near his feet. The banyan tree whose leaf is known as Vatapatram, on which Vishnu is said to rest in the form of a baby during deluge, is at his head, behind Bhrigu.
The Lord’s image is a large and very colourful stucco image (made of brick and mortar), hence daily Thirumanjanam (sacred bath ) is not performed. Lord Vadabadrasayee was the Lord whom Periyalwar and Andal worshipped with such fervour. Images of Panchamurtis – Thumburu, Narada, Sanathkumara, Kinnara, Sun, Mithuna and Moon are present around the deity as well as representations of Villi and Puttan are seen at his feet.
The sanctum has three doorways from which the presiding deity can be seen. Also, on the first floor is a large rectangular hall with ornate woodwork on the walls. It is called Gopala Vilasam and it was built 200 years ago using wood panels from the temple car which was damaged. The intricate carvings on the wood panels  depict scenes from the Ramayana and other puranas and scenes from the life of Andal.
It is here that the Araiyar Sevai is performed during the Pagal Pathu Utsavam. Vimana over the sanctum is called as Samsana Vimanam. Utsava Idols of Chakrathalvar, Kannan and Allal Thavirtha Piran Utsavars are found in the Artha Mandapam.
Andal Shrine:
Andal Temple is situated on the southwest side of the Temple Complex. 20 Pandha Mandapam is found in the entrance of Andal temple. Kalyana Mandapam is situated on the left side after Pandha Mandapam. There are shrines for Sri Rama and Srinivasa Perumal immediately after the Kalyana Mandapam. Dhwaja Sthambam can be found next. There is Mandapam called, Madhavi Mandapam after the Dhwaja Sthambam. This Mandapam houses lot of beautiful paintings depicting Lord Vishnu.
Next to it is the Mani Mandapam and then the Artha Mandapam and then the sanctum follows. The Sanctum houses the image of Andal and Ranga Mannar. In Srirangam, Lord Ranganathar holds a conch and discus in his hands, In Srivilliputhur,  he holds a Dhandam-royal staff held by kings and is called as Ranga Mannar. A green parrot rest on Andal’s shoulder. This parrot is special in that it is freshly made by hand everyday using leaves and herbs. 
One finds Lord Garuda, the charioteer of Lord Vishnu, alongside the main deities. In all other temples, one finds Garuda standing opposite the main deity. It is believed that Garuda, brought Lord Ranganatha of Srirangam to Srivilliputhur faster than expected and hence he was accorded the special status here. This posture of Ranga Mannar, Andal and Garuda together depicts the wedding of Andal with Ranga Mannar.
Panchaloka idols of Ranga Mannar, Andal and Garuda are situated in the mandapam in front of the sanctum. Andal's shrine is crowned with the gold plated Pranavakriti Vimanam with stucco work depicting themes from each of the 30 Tiruppavai hymns. The walls around the shrine has paintings of the life of Andal. The second hall from the entrance towards the sanctum, the Kalyana Mandapa, houses huge life-size sculptures of Mohini, Rama, Rati, Kamadeva and many other deities.
Tiruppora Mandapam:
Tiruppora Mandapam is situated in the Nandavanam between Andal Shrine and Vadabadrasayee Shrine. It was here that Andal was found as a small child beneath Tulsi plant by Periyalwar. It is also believed that this mandapam was built by Periyalwar and the idol installed after his return from Srirangam where he handed over Andal in marriage to Ranga Mannar.
Nandavanam:
The flower gardens (Nandavanam) in between these two areas are said to have been maintained by Periyalwar.
Andal Idol:
There is no separate shrine for Andal in the Temple premises. A separate Statue is kept for Sri Andal in the Nandavanam, where she was born, which is found on the North East direction of Sri Andal Temple.
Periyalwar Shrine:
Periyalwar Shrine is found on the North side of the temple and he is faced towards the south direction.
Vijayanagar Sculptures:
Paintings
The Vijayanagar and Nayak kings commissioned paintings on the walls of the shrine of temple, some of which are still present.
Temple Chariot:
The 9-tiered temple chariot is said to be the biggest in Tamil Nadu. The temple car was originally very heavy (40m tall and 650 tonnes) and it took days to take it back to the original position. Before 2000, the practise of drawing the temple car during the yearly festival was suspended. With the efforts of Vanamamalai Jeer, the head of a monastic institution, the temple car was modified with hydraulic wheels to ease the movement.
Theertham:
Theertham associated with this Temple is Thirumukkulam.